Written by Charry. Also featured on MyAnimeList.net.
When you lose everything and end up with nothing, how do you pick yourself up and move on? Do you lash out in anger and bitterness, hiding your wounds? Do you allow the emptiness inside you to shut out any emotional reaction, numbly accepting your fate? Do you desperately search everywhere for what remains of you, hoping to piece yourself back together? Or do you fear losing again so much that you spend all your time protecting what you already have, nearly crushing it in your tight grasp?
With each of these suggestions, I refer to a particular character in the story whose struggle with loss reflects one of these patterns. This theme of loss and the struggle to regain or find acceptance is by no means a new one to either drama or anime/manga, but in Pandora Hearts it is approached in a sensitive, original, and surprisingly light-hearted, pleasing manner. Though emotionally gripping, Pandora Hearts is rarely dark and angsty, favouring quirky, likeable characters and a humourous, tongue-in-cheek storytelling style.
Overview
Story: 8/10
Characters: 10/10
Art & Animation: 6/10
Music & Voice Acting: 9/10
Overall: 9/10
The XEBEC-produced art/animation quality may be somewhat lacking, but the irresistibly charming Pandora Hearts is sure to make you fall in love with its beautifully crafted story, characters, fantasy world, and music.
Pros:
- most loveable, original and well-developed cast I’ve seen in a long time
- detailed, interesting “Alice in Wonderland”-themed world
- story contains few “filler” episodes and is perfectly paced, sure to leave you gasping for more
- emotional, memorable OST by .hack//SIGN & Noir (and many more) composer Yuki Kajiura
- one of those anime that has a bit of everything: drama, action, humour, even hints of romance
Cons:
- sub-par art quality, rather unacceptable by today’s standards
- weak, disappointing ending; many story threads left hanging without resolution
- some unavoidably cliché moments and a protagonist who is often ineffectual and, worse, annoying in his willingness to lay down his life
- no clear antagonist in the story, though this isn’t really a problem until the very last episodes
Story (8/10)
15-year old Oz Vessalius is the typical spoiled selfish noble kid, playing pranks all day, teasing his servant and best friend Gilbert, gaining favours from his indulgent uncle Oscar. Then, on the night of his coming-of-age-ceremony, time freezes and Oz is forced into the Abyss by mysterious strangers. Trapped in this nightmarish alternate dimension, he meets a strange, devilish young girl named Alice, who is really a Chain (a sort of “monster” of the Abyss). They form a Contract: Alice decides to help Oz return to his world, while he promises to search for her missing memories. As they find out more about her, it turns out there’s a lot he doesn’t know about the past either….
The story follows a somewhat well-worn path – disaster befalls naïve youngster, he meets mysterious girl, they discover new things, make friends and beat bad guys – but the difference is that the characters who fill all the traditional roles are so original and interesting. Alice, as the heroine of the story, is refreshingly powerful and strong-willed, with a bad mouth, a meat fetish, and a wicked laugh – and a surprising sensitivity. Oz, on the other hand, is earnest and soft-hearted, though he oddly doesn’t seem to care too strongly about anything.
There are also plenty of mysteries to be solved and plot twists to be revealed. However, I wouldn’t say that the plot is the anime’s strongest point. Not quite. Most of the “plot” really has little to do with the present situation at hand and is more about exploring the characters’ pasts. In fact, almost all of the really interesting moments in the anime are actually revelations about the past. As you might expect, all this jumping back and forth between past and present, real and alternate dimensions, while fascinating, can leave one confused and overwhelmed. Lastly, I can’t neglect the fact that the ending is truly dismal. Like many anime (it seems), a promising beginning, middle and even climax is no guarantee of a satisfying ending. When you reach the final episode I’m sure you, too, will be thinking, “What? They can’t leave it at that – there must be some mistake!!”
Characters (10/10)
There’s no way Pandora Hearts gets anything less than full score on this one. The characters are simply enrapturing. It’s hard to pick a favourite because there are so many good choices! For starters, the designs are original, enticing, and complement the characters’ personalities well. Oz, despite being 15, has the vacant, vulnerable look of a younger boy, suggesting his innocence and fragility. Alice looks fiery and ferocious with her red jacket, demonically pointy hair, and long high-heeled boots; but her short stature and smooth, childlike features render her cute and approachable. Gilbert is astonishingly handsome, dark, and mysterious when he first appears as Raven in full black attire; as soon as his hat comes off, however, (so to speak) he becomes comical with his messy “seaweed” hair, his emotional tantrums, and his self-conscious cigarettes. Two other characters I feel deserve special mention: Xerxes Break, a silly yet understatedly dangerous character whose loose sleeves flop over his hands, whose smile is always shaped unnervingly into a V, and who wears a freaky rattling puppet-doll on his shoulder called Emily; and Vincent Nightray, who has two different-colored eyes, one yellow and one red, as if to represent his unpredictable, split personality (at times saccharinely sweet; at others cold-bloodedly cruel and deceptive).
Each character is quirky, with multiple sides to their personality. Oz occasionally shows a hyper-romantic, flirtatious side. Alice, as mentioned earlier, will do anything for meat. Gilbert has an incurable phobia of cats. Sharon, a girl who is older than she looks, likes young boys and seems to have a thing for Alice. Break is addicted to candy and other sweet things. Vincent is disturbingly obsessed with his brother. And so on.
The characters also have incredible chemistry together. Oz and Alice have this cute little “You’re my man-servant, do what I say!” “Hahaha, of course Alice! (but not really!)” thing going on, with semi-romantic undertones. Oz and Gilbert, meanwhile, have an endearing “master and servant” relationship that’s complicated by the fact that Gilbert looks (and is) much older than his “master” (and made hilarious by the fact that Oz can still get away with teasing him.) Naturally, Gil and Alice find themselves caught in a struggle for the affections of their master/man-servant Oz, hurling funny names at each other that soon become familiar (“Stupid rabbit!” “Seaweed hair!”) – though when it comes to Break, they are united in their icy distrust of the slippery, duplicitous character.
The true strength of the characters lies in their multi-facetedness. No character in the main cast feels “all good” or “all bad.” For much of the story, there is even no clear antagonist, as each suspicious individual is shown one by one to be pure-hearted in some way. Somehow, the anime hardly suffers for this lack of “true evil,” which I view as a testament to the strength of the characters.
As for character development, the entire anime basically revolves around the characters’ individual backstories. There is nary a character in the main cast who we do not see some kind of flashback of. In a way, the characters’ pasts define who they are even more distinctly than the present action. Strangely, I found this worked very well, leading one to speculate fascinatingly about what must have happened before the main story.
Art & Animation (6/10)
By today’s standards, as well as the standards set by the rest of the anime, the art really sticks out like a sore thumb. And let me get this clear that I don’t in any way mean Jun Mochizuki’s original designs; I’m talking about the frame-by-frame art quality of the anime, which was produced by studio XEBEC. Compared to contemporaries in the same genre that I’ve been watching such as Kuroshitsuji and Nabari no Ou, the art and animation really has a lot of catching up to do. Unpolished, often with very unappealing colour palettes, and few extremely eye-catching or original backdrops, I wondered frequently why they could not have done this beautiful story justice with a higher budget. Without the charms of Mochizuki’s character designs, the art would nearly render this anime unwatchable. I believe the opening of an anime is its one greatest chance to dazzle and woo the audience with flashy, high-budget sequences; yet Pandora Hearts is one of the only good anime I’ve watched where the quality of the opening animation failed to impress me at all. Don’t get me wrong, it’s a beautifully conceived opening with wonderful music and fascinating visuals, but the animation itself is little beyond lacklustre.
Music & Voice Acting (9/10)
Yuki Kajiura’s work truly is beautiful. It’s hard to say anything bad about it. When it comes to emotional drama, suspenseful themes, heart-wrenching themes, and tragic themes, she is the master. Her English-language insert piece, “Everytime you kissed me,” is a thorough success, and the ubiquitous “music box” theme she created for Pandora Hearts, “Lacie,” is hauntingly memorable. But I can be nit-picky. The themes can get slightly repetitive and, if you’ve heard her previous work, it’ll probably feel a little deja vu. The endings and opening, while excellent, are not extraordinarily exceptional. In the end, the one point I knocked off comes down to the music not being extremely original, just very good.
There is nothing really left to be desired from the Japanese voice acting. Everything is just as it should be. The boyish, suave Junko Minagawa (Ryoma Echizen , Ritsuka Aoyagi) is the perfect choice as Oz, while listening to Kosuke Toriumi (Yuri Lowell, Kiba Inuzuka)’s sexy voice as Gilbert is like eating chocolate ice cream, and Akira Ishida (Gaara, Kaworu Nagisa, Athrun Zala, many others) does a spectacular job as the eccentric, foppish Break (and Emily!), as usual. In all respects, a very strong cast.
Bottom line: Pandora Hearts has its share of flaws, and probably won’t please absolutely everyone (action fans, why are you still here?!), but once immersed in its lovely, charming little world, its intoxication is a very, very pleasant experience. (9/10)